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upcoming:
Frauke Schlitz & Leonie Weber:
Collage / Construction
Kentler
International Drawing Space, Brooklyn, New York
May
2nd - June 7th 2026
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| La
Ville / Die Stadt
Apollonia, Strasbourg, France,
8. März – 30. März
2025
Kunstbezirk, Galerie im Gustav-Siegle-Haus
Stuttgart, 1.
Juni – 6. Juli 2024
Eine Ausstellung in Kooperation des Förderkreis
Bildender Künstler Württemberg e. V. mit Trafic
d’Art, Strasbourg |
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more
information here
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I
am honored to having received a
Pollock-Krasner
Foundation Grant 2023
Lee Krasner in Hans Hoffman’s studio,
early 1940s.
Photo ©Robert E. Mates and Paul Katz.
Lee Krasner artwork ©Pollock-Krasner
Foundation/ARS.
Image courtesy of the Pollock-Krasner Foundation. |
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Frauke Schlitz - Urban Notes
- Line and Space, extended edition, 2014-2023 more
Information here |
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| Selber
Ort - Andere Zeit, Kunsthalle Baden-Baden, 10. Oktober
2025 - 11. Januar 2026 |
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| Billing's
Plan, 2025, Acrylic on 50 Wooden Boards, 50 x 33" / Acryl
auf 50 Holzplatten, je 124 x 84cm, Photography: Stefan Altenburger |
| Frauke
Schlitz takes the floor plan of the Kunsthalle Baden-Baden
as her starting point. In “Billing's Plan” (2025),
she projects the historical architectural drawing onto 45
wooden panels and transfers the lines graphically. The space
is fragmented, reassembled, opened up to other perspectives.
Her installation makes it possible to experience that architecture
is never static, but rather a structure of memories, atmospheres,
and possible paths. |
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| Pandemic
Architectures, Anya and Andrew Shiva Gallery, NYC, June 29th
- August 13th 2023 |
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| Tracks
and Traces, Kunstverein Neuhausen, 14. Mai bis 09. Juli 2023 |
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| pandemic
architectures, 2021-2023, an installation of 210 gouaches
(each 9x12 inches), an ongoing work about the NYC outdoor
dining shed phenomenon |
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| Solid
Transitions, Kunst in den Rohbauhallen von S21, Stuttgart |
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| Raumzeichnung
/ Space Drawing NOTATION, 2023, 90 bemalte Holzleisten auf
Halfenschienen montiert / 90 painted wooden slats mounted
on half rails |
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| Urban
Notes 2021, Gedok Galerie Stuttgart |
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| Installation
view Urban Notes: Outside-In,
2021, Tusche und Acryl auf Hanji / Ink and Acrylic on Hanji
Paper, Collage, 79” x 60“ / 210 x 60cm; Another
Seoul Thing, 2021, Hanji und Holz / Hanji Paper
and Limber; Corner Piece, 2021, Hanji auf
Holz / Hanji Paper on Wood, Collage, 16" x 22"
/ 40 x 55 cm |
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| Passage,
2021, Ink and Acrylic on Hanji Paper, Collage, 60“ x
79” / 150 x 210 cm ; Many Ways, 2020,
2021, Acrylic on Hanji Paper, Collage,60“ x 79”
/ 150 x 210 cm |
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| Maze
I und II (Four Parts Series), 2020, Acryl auf Papier
/ Acrylic on Paper, Collage, each 39“ x 38,5“
/ je 100 x 98 cm |
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Travelling
Lines
2021,
Galerie SmudaJescheck München, mit / with Carin Riley |
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| Front:
The Seoul Thing, Holz und Hanji Papier /
Limber and Hanji Paper, 43“ x 177“ x 35“
/ 110 x 450 x 90 cm |
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Beyond
I, Pastell und Acryl auf
Papier/pastel and acrylic on paper, 200x152cm/79x60" |
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| International
Artist in Residence 2019
at
MMCA (Museum of Modern and
Contemporary Art, Korea) Residency
Changdong, Seoul |
|  Signs
of Space, Installation view
„Changdong Report 2019“, Nov 2019, MMCA Residency
Changdong, Seoul
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|  Wall,
Drawing Installation, Nov 2019, Acrylic, Laquer, Watercolor,
Graphite on Paper, variable size, Open Studios MMCA Changdong,
Seoul
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Atelieransichten / Studio Views
2020 |
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Seoul
Thing,
2020, Holz, Hanji Papier, 410 x 140 x 120 cm / Wood, Hanji
paper, 55.12 x 161.42 x 47.24 inches
background: Many Ways, 2020, Ink on Hanji, Collage, 59.06
x 82.68 inches
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| Partitur
der Stadt / City Score, Acryl
auf Multiplex, Collage, 320 x 480 cm/ acrylic on multiplex,
collage, 90 x 180 inches |
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| 24
movements,
2020, Tusche auf Papier, montiert auf Karton je 42 x 30 cm
/ ink on paper, mounted on cardboard, 87 x 166 in |
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| Manhattan
Drawings, NYC June
2019 |
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| Studio
Views 2018, workstay at Painting Space, Community Center
East Village, NYC
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Verstellte Welt, 2018,
Installation von 50 Holzplatten, Acryl auf Holz / installation
of 50 plywood boards, acrylic on wood
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The installations title Verstellte
Welt contains several connotations like:
Displaced World (did I displace the world and cannot find
it anymore?)
Obstructed World (there is something barricading the world)
Dissembling World (the world pretends to be something else) |
Presse |
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Karshan - Schlitz: In Dialogue, Silas
von Morisse Gallery, 2017, Brooklyn, NY |
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Escaping Lines II, acrylic
on paper, 299 x 151 cm, 117.7 x 59.4 inches
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Engraved Space, 2016,
acrylic on paper, 300 x 150.01cm / 118.11 x 59.06 inches
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Architecture related Sketches
New York City (four pieces out of a 70 parts series),
2016, wallpaint and ink on paper, each 8 x 6 inches
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Presse |
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Statement |
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Artist
in Residence 2017 at Mac Dowell Colony of the Arts, Petersborough,
NH, USA |
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Beyond the Forest, 2017,
Lack auf Papier / Laquer on Paper, 230 x 245 cm / 90.5'' x
96.4'' |
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Politicizing Space, 2017, Shiva Gallery,
John Jay College, NYC, USA |
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Trail, 2016, acrylic, paper,
219 x 151cm, 86.22 x 59.45 inches |
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RESPONSE - Walldrawing, Galerie
der Stadt Kirchheim u.T.,solo show 2017 |
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Parallax - walldrawings, Oberwelt
e.V., Stuttgart, solo show 2017 |
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Ansichten oberer Raum: "Stube",
Acryl auf Wand, 480 x 350cm / Views
upper level: "Parlor", Acrylic on Wall, 217'' x
118'' |
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Visiting Artist in Residence
at Trestle Gallery, Wall Drawing, Brooklyn Art Space, Oct
2016 |
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| Hiding Place
- walldrawing, 2016, acrylic on walls and ceiling, 508x636x381cm
/ 200x250x150 inches |
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